Friday, September 30, 2016
Bieber is no Gaga, Beyoncé or Rihanna – Expressen
this is an apology to Justin Bieber. He laid the mic. Sang with maintaining the Jackson 5-sue and danced both gracefully and with the swag.
He showed barely even undressed.
When Justin was here in 2013, he was a teen who if possible was even more in love with himself than what his loyal beliebers. During Thursday’s concert were rumors that he was under the weather and underpresterade. The talk very much and outraged that he is using the microphone as an accessory.
So when Justin Bieber goes up on stage during his second Sweden-gig this time around, he has everything to prove. For The Purpose of the World Tour is not the small skitspelning at any time. It is a 114 stop the long tour that lasts for half a year. But an artist who holds all kinds of records.
Justin Bieber is no Beyoncé who sings the hell out of the arena. He is no One Direction that charms the audience to gelehjärtan. He’s no Miley Cyrus, who surpasses himself in knasighet and provocation in each number.
He is no Lady Gaga that added a million on to build a castle on stage. And he is no skandaldrottning like Rihanna.
He is nothing but a little of each.
Scendekoren based on the digital light shows in the fastidious style. A number of scenplatåer be hoisted up and down a bit gratuitous. But the big dansargänget makes the show brilliant. Not least when the athletically hanging in ropes in front of a sparkling galaxy of pink explosions. And Justin himself impresses with his steps. At the same time, he is in every way a barnstjärna who has just become an adult.
Bieber not feeling top needed either a doctor or a psychology degree to figure out. Get or really no one has passed the press as a young supervärldsstjärnor operate under. Not Britney, Not Amy, Not Kurt, Not Rihanna, not directly Miley. Success is dangerous.
Therefore, it is unreasonable to expect all of a single artist.
So when it comes down to it here with the microphone, mimandet and authenticity… At some concerts it is not the actual sångprestationen and competence that is the core. It may as well be the experience to see their idol in real life along with 40,000 others.
When Justin at the end is motionless in the spotlight and receive their beliebers admiration in the form of iiiiiiiiiiii so moderating it is not. It increases the longer he stands there motionless.
What can he do, it is Justin Bieber worth.
“Mark My Words”
dressed in all white makes Justin a soulful admission in a floating glass cube, which brings to mind Eric Saades Mello-prominent.
“Where Are Ü Now”
Drops, underpants, briefs, dance sessions, smoke, and all that is good. Now is the show in time!
“Get Used To It”
Slentrianpop where Justin hoisted up and down on a pedistal a bit gratuitous.
“I’ll Show You”
Justin bieber trapped in a cage again. Digital fireflies surrounding him and from the scene shot laser beams out into the audience while Justin shoots arrows in the hearts of the audience with his pojksoulröst.
“The Feeling”
the Four dancers do acrobatic dance in the ropes in front of a black galaxy with pink explosions.
“Boyfriend”
Justin bieber raps as if he never left the teens, amazing cute!
“Cold Water”
Justin sits with the guitar in a plush sofa and have a strong Niall Horan (One Direction)-moments.
“Love Yourself”
Justin still seated on the couch with guran, comp of ‘allsången’ and a starry sky of mobillampor as decor. Sob so finely.
“Been You”
With autotuneeffekt on the voice and a twinkle in his eye singing Justin directly to the audience.
“Company”
A flying, large stage with a trampoline in the middle reveals itself over the crowd standing in front. Before the dancers and Justin goes by, he does a backflip.
the”No Sense”
Bieber flexes his swag, but the song gets kaosig and brötig.
“Hold Tight”
the Song is a bit slentriantrist and jammy… Even if the star itself sings the lungs out of themselves.
“No Pressure”
With lots of echo on the vocals, balettnummer and dimslöjande smoke on the stage floor becomes a ballad to a theatrical performance.
BREAK
“As Long As You Love Me”
Justin mimes, dances, sings, and starts the party again after 20 minutes of the advertised break.
“Children”
justin’s tropical house-leave the dunks in the once festive mood and color a scene for a summer evening on the beach.
“Let Me Love You”
the Scene is like a sunset in even more tropical house in brilliant hitpop.
“Life is Worth Living”
After a speech about sharing the hope and love singing Justin ballad to a still pianokomp with its sharpest babystämma.
“What Do You Mean?”
the Dancers go down a slide on the stage, to the tropical rhythms, the minifyrverkerier party to it and everyone loves the successful genremixade the song in the live version. I, also.
“Baby”
Gullegrishitten from 2010 still holds, and bieber’s Jackson 5-sue is left as if the years had stood still.
“Purpose”
Justin sitting on the scenkanten and sings flawlessly and wailande the hymn which named the entire tour while it is raining gold all over the scene. Grand.
“Sorry”
In an enorms sistanummer where everything goes in white sings Justin Bieber desperate in the pouring rain, really pouring rain. He gets soaking wet.
“My father Toni Erdmann” in handcuffs in the blazing Bucharest – Radio Sweden
An example only: the Father chaining together and the daughter with a couple of skojhandbojor and can’t find the key. The two need to be out in the rough outskirts to find someone who can worship. There are so many jokes, so much the morale to pull out of the scene. But regin does not make it. But they take the car, get unlocked without the prut river and then sits afterwards with completely blank faces in the back seat.
There is a way to trust that the situation will suffice. In real life – imagine yourself that you get to go far out in the unknown areas in a big strange city for you to sit in the handcuff with your parent – it would be a memory for life.
Ade trust completely in such situations and on the actual site, Bucharest, to its bråddjupa divisions based on class and inflamed nyrikedom enough. Enough and over.
Jenny Teleman
jenny.teleman@sverigesradio.se
“My father Toni Erdmann” in handcuffs in the blazing Bucharest – Radio Sweden
An example only: the Father chaining together and the daughter with a couple of skojhandbojor and can’t find the key. The two need to be out in the rough outskirts to find someone who can worship. There are so many jokes, so much the morale to pull out of the scene. But regin does not make it. But they take the car, get unlocked without the prut river and then sits afterwards with completely blank faces in the back seat.
There is a way to trust that the situation will suffice. In real life – imagine yourself that you get to go far out in the unknown areas in a big strange city for you to sit in the handcuff with your parent – it would be a memory for life.
Ade trust completely in such situations and on the actual site, Bucharest, to its bråddjupa divisions based on class and inflamed nyrikedom enough. Enough and over.
Jenny Teleman
jenny.teleman@sverigesradio.se
Cecilia Lindqvist: “A kulturmord” – Helsingborgs Dagblad
the Museum, far eastern antiquities and the museum of Ethnography moved into the same building. The radical proposal comes from Världskulturmuseernas management believes that the business would be better. China expert Cecilia Lindqvist do not agree with. – This is a kulturmord.
Ann Follin, director of the national museums of world culture, suggests a co-location. Arkivbild.Image: Bertil Ericson/TT
In the report, which has now been submitted to the ministry of culture proposes Världskulturmuseernas management to a co-location of the three Stockholmsmuseerna will be investigated. Museiledningen sketch itself at three possible options: the three museums move into existing premises in the Area which adapted and built on, the museums are moving into another already existing building or as a third option, a newly built museum.
” We’re not talking the closure of the museums, we’re talking development. You can, of course, fail to do something, but then also the future review gloomy. This is a number of scenarios, which means that we can strengthen our business, while we make it for the taxpayers, lower cost, says Ann Follin, Världskulturmuseernas superintendent.
She wants in the moment not to say something about how the number of employees affected at a co-location.
the Background to this proposal is bad economics. The state treasury has previously pointed to “decisive action” is necessary to the national museums of world culture shall obtain an economy in balance, an assessment that museiledningen parts.
In the day go for the large proportion of the budget to local and staff costs.
” What is interesting is that this has been initiated by the rental model. If the politicians decide that the model is not sensible for Världskulturmuseerna that will serve all ends up it all in a different light, ” says Eva Myrdal, senior researcher and curator at the East asian museum.
One explanation for the high cost of premises is the current model with the market rents for kulturfastigheter. Museiledningen want the government lets the national property board to review it for the rents is not going to put a stop to the institutions ‘ activities.
But the china expert and author Cecilia Lindqvist believes that the report hides the real problem.
– East asian pay 7.4 million per year in rent, and the museum of world culture in Gothenburg 25,5 million. It clumps together and does not say that it is the museum of world culture, which is gökungen in the nest. It is what you need to do something about, she says.
According to Cecilia Lindqvist, the proposed co-location involve a number of problems. Already today, she finds also that the museums are taking damage because she thinks they “toppstyrs from Gothenburg” and not have the managers who are capable of enough about the business.
” My heart is East of the closest and if it would suffer as you here suggest, it would be disastrous. The collections belong to the best in the world outside of China and risking damage to them is abuse, ” she says.
My dad, Toni Erdman in handcuffs in the blazing Bucharest – Radio Sweden
“An example only, dad Toni chaining together and the daughter with a couple of skojhandbojor and can’t find the key. The two need to be out in Bucharest in the poor outlying areas to find someone who can worship. There are so many jokes, so much the morale to pull out of the scene. But regin does not make it. But they take the car will be unlocked without the prut river and then sits afterwards with completely blank faces in the back seat.
There is a way to trust that the situation will suffice. In real life – imagine yourself that you get to go far out in the unknown areas in a big strange city for you to sit in the handcuff with your parent…a memory for life.
the Expanded trust completely in such situations and on the actual site, Bucharest, to its brådjupa divisions based on class and inflamed nyrikedom enough. Enough and gets above the”
Jenny Teleman
jenny.teleman@sverigesradio.se
The shots in Copenhagen. A story about Lars Vilks, extremism and … – Svenska Dagbladet
- Author
- Niklas Orrenius
- Genre
- Nonfiction
- Publisher
- Albert Bonniers Förlag
- ISBN
- 9789100161484
412 p.
Principen of artistic quality has come back from an unexpected source: by Lars Vilks, who himself does not believe in anything other than the art world’s statushierarkier. We unreservedly support an artist’s right to live, it requires apparently a certain amount of originality. Last winter, I attended a panel discussion on the growing threats against the Swedish artists and writers, and got, a little surprising, to hear a defence of self-censorship and an angry attack on Vilks.
Niklas Orrenius is the right person for a book about the hot topic Lars Vilks. He keeps a safe course through the konfliktorkan that has arisen around the artist. All aspects included: hatpredikanter in Swedish mosques, Vilkskramande right-wing populists, foreign policy entanglements, and the hostility that Vilks has faced in the Swedish cultural life. There is a Danish Lars Vilks committee, but no Swedish. Among other Vilks also become a weapon in the escalating fördomskriget between Sweden and Denmark.
Orrenius says like to "do up" what he was really like. It is not easy. He was complaining about never, regret nothing, playing perfectly the distanced role he has assigned himself. On his tomb, he wants to have the motto "Everything is an advantage", which can also be seen as the guiding principle behind the rondellhundsprojektet. Why thank he yeah to the left or right-wing populist advances when he has everything to win to draw a line against such a thing? It is "much more interesting" if people don’t know if he really is a racist, he replies.
"using the opponent’s energy to gain power yourself," says art expert Linda Fagerström on the conceptual art of Vilks type. It could be a description of the elegant chinese martial arts, or equally well by a passive-aggressive rättshaverist. Would he was be willing to set out anonymously, wonder Orrenius. "Of course you have to run on all the balls in the right location, that is."
do I Have to? Here I had liked to have seen a whole queue of supplementaries. What do you do with yourself if you’re running on all the balls and see it all as equally usable energy?
A detail as it sails past the in passing, I want to draw attention to. Orrenius hits yttrandefrihetsjuristen Hans-Gunnar Axberger, who says: "in the Past we had 'afford' to let people think what they wanted", but today we are "no longer the homogeneous society that we were from the 1700s and onwards". Suddenly want to you, from many diverse sources, to tell us that our conflicted past was as homogeneous as a tube of the cream cheese.
another detail, also worthy of attention: the islamist terror has, to my knowledge, never been made against the right-wing extremists who hate muslims. Here you can see a mutual rationality. When the suicide bomber Taimour Abdulwahab, struck in Stockholm, sweden, writes Gellert Tamas in "The Swedish hatred", tweeted Jimmie Åkessons secretary "Finally".
art criticize sensitive things, it must be done from an "inside perspective", says culture house director Benny Fredriksson to Orrenius. It makes Rushdie, according to Fredriksson, but not Vilks, and they should therefore not be compared, despite similar threats. We follow the principle we have soon abolished the common public, and built a förmodernt society where every group does and punishes its deviants without transparency. Makode Linde was familiar had to change the name of his exhibition – more than that was not inifrånperspektivet worth of Fredriksson.
People who are in relationship with a god ought to be the least lättsårade on the planet. If I was religious would be a deformation of what I believed to be as helpless as an attempt to make a caricature of the sun. Come on, do your worst, draw the sun as a pig or a tapeworm if you want to, it never gets more than a trifle.
If Sweden does not succeed reduce the gaps and the mistrust between different groups in the population, it can "very much" be relevant with the tightening of freedom of expression, believe Axberger.
speaking about the limits of freedom of expression should go in the future, ” says Örebromoskéns ceo Jamal Lamhamdi: "There is nothing that can change quickly." No, I guess, but you can change it slowly?
About the artists and institutions start to engage in self-censorship can the public room be radically changed without any need to change one letter of the law. After the death sentence against Rushdie has self-censorship has increased on all sides, wrote Kenan Malik in the article "Shadow of the fatwa" (Index on Censorship, december 2008). It is still up to date.
the Attack in Copenhagen
Niklas Orrenius, born in 1973, is a journalist at the daily News and the author of reportageböcker on, among other things, SD and migration.
Background to "the Shots in Copenhagen" is the attack at the house of culture Kuttønden during a debattmöte with the title "Art, blasphemy and freedom of expression" on February 14, 2015.
Attack required a death and ended with the perpetrator was shot dead at Copenhagen the following morning.
The shots in Copenhagen. A story about Lars Vilks, extremism and … – Svenska Dagbladet
- Author
- Niklas Orrenius
- Genre
- Nonfiction
- Publisher
- Albert Bonniers Förlag
- ISBN
- 9789100161484
412 p.
Principen of artistic quality has come back from an unexpected source: by Lars Vilks, who himself does not believe in anything other than the art world’s statushierarkier. We unreservedly support an artist’s right to live, it requires apparently a certain amount of originality. Last winter, I attended a panel discussion on the growing threats against the Swedish artists and writers, and got, a little surprising, to hear a defence of self-censorship and an angry attack on Vilks.
Niklas Orrenius is the right person for a book about the hot topic Lars Vilks. He keeps a safe course through the konfliktorkan that has arisen around the artist. All aspects included: hatpredikanter in Swedish mosques, Vilkskramande right-wing populists, foreign policy entanglements, and the hostility that Vilks has faced in the Swedish cultural life. There is a Danish Lars Vilks committee, but no Swedish. Among other Vilks also become a weapon in the escalating fördomskriget between Sweden and Denmark.
Orrenius says like to "do up" what he was really like. It is not easy. He was complaining about never, regret nothing, playing perfectly the distanced role he has assigned himself. On his tomb, he wants to have the motto "Everything is an advantage", which can also be seen as the guiding principle behind the rondellhundsprojektet. Why thank he yeah to the left or right-wing populist advances when he has everything to win to draw a line against such a thing? It is "much more interesting" if people don’t know if he really is a racist, he replies.
"using the opponent’s energy to gain power yourself," says art expert Linda Fagerström on the conceptual art of Vilks type. It could be a description of the elegant chinese martial arts, or equally well by a passive-aggressive rättshaverist. Would he was be willing to set out anonymously, wonder Orrenius. "Of course you have to run on all the balls in the right location, that is."
do I Have to? Here I had liked to have seen a whole queue of supplementaries. What do you do with yourself if you’re running on all the balls and see it all as equally usable energy?
A detail as it sails past the in passing, I want to draw attention to. Orrenius hits yttrandefrihetsjuristen Hans-Gunnar Axberger, who says: "in the Past we had 'afford' to let people think what they wanted", but today we are "no longer the homogeneous society that we were from the 1700s and onwards". Suddenly want to you, from many diverse sources, to tell us that our conflicted past was as homogeneous as a tube of the cream cheese.
another detail, also worthy of attention: the islamist terror has, to my knowledge, never been made against the right-wing extremists who hate muslims. Here you can see a mutual rationality. When the suicide bomber Taimour Abdulwahab, struck in Stockholm, sweden, writes Gellert Tamas in "The Swedish hatred", tweeted Jimmie Åkessons secretary "Finally".
art criticize sensitive things, it must be done from an "inside perspective", says culture house director Benny Fredriksson to Orrenius. It makes Rushdie, according to Fredriksson, but not Vilks, and they should therefore not be compared, despite similar threats. We follow the principle we have soon abolished the common public, and built a förmodernt society where every group does and punishes its deviants without transparency. Makode Linde was familiar had to change the name of his exhibition – more than that was not inifrånperspektivet worth of Fredriksson.
People who are in relationship with a god ought to be the least lättsårade on the planet. If I was religious would be a deformation of what I believed to be as helpless as an attempt to make a caricature of the sun. Come on, do your worst, draw the sun as a pig or a tapeworm if you want to, it never gets more than a trifle.
If Sweden does not succeed reduce the gaps and the mistrust between different groups in the population, it can "very much" be relevant with the tightening of freedom of expression, believe Axberger.
speaking about the limits of freedom of expression should go in the future, ” says Örebromoskéns ceo Jamal Lamhamdi: "There is nothing that can change quickly." No, I guess, but you can change it slowly?
About the artists and institutions start to engage in self-censorship can the public room be radically changed without any need to change one letter of the law. After the death sentence against Rushdie has self-censorship has increased on all sides, wrote Kenan Malik in the article "Shadow of the fatwa" (Index on Censorship, december 2008). It is still up to date.
the Attack in Copenhagen
Niklas Orrenius, born in 1973, is a journalist at the daily News and the author of reportageböcker on, among other things, SD and migration.
Background to "the Shots in Copenhagen" is the attack at the house of culture Kuttønden during a debattmöte with the title "Art, blasphemy and freedom of expression" on February 14, 2015.
Attack required a death and ended with the perpetrator was shot dead at Copenhagen the following morning.
Thursday, September 29, 2016
Mattias Svensson: Niklas Orrenius book about Lars Vilks is a anklagelseakt against … – Aftonbladet
REVIEW. At one point laughing I loud during the reading of the Niklas Orrenius the book the Shots in Copenhagen. It is when the Lars Vilks infamous drawing the Prophet Muhammad as a roundabout dog ends up in the hands of the Dan Park and become a poster on cabinets in Malmö with the addition of: "the Senior of the jewish assembly".
So nedrigt. (This is pure lie.) So unnecessary. (Have not Muhammedteckningen created enough hullabaloo?) So dangerous. (Lastly, and judehatet among muslims is behind the harassment, intimidation and murder in the Öresund region.) So typically Dan Park, a kind of art Onkel Kånkel that consistently celebrates racism, pyros and genocide and, among other things, made a mug with the text "Joseph Reported, the world’s best dad".
And that is precisely why a hilarious satire of all the overwrought, conflicted and, increasingly, bloody history. As Vilks says to the assembled art students: "If you happen to out of controversial situations: do not Try to make it better. Instead, try to make it worse!" Instead of sobering tone down and gloss over, sleek twist up and screw, do not create the rarely lucid comedy.
I’m reminded of that this is, after all, only a drawing, some mischievous prank. The indignant question: What are you doing!? should rightfully be directed, not to the artist, but to the statesmen, preachers, activists and terrorists. As well as to the fegaste of all: the Swedish public.
They pop all up in Niklas Orrenius eminent långreportage, woven around the artist Lars Vilks and the pencil drawing he never got to set out on Tälleruds museum in Värmland in the summer of 2007.
The konträre Vilks provoked not on the "right" way, with yet another tirade against the George W Bush, capitalism and christianity, so the promoter turned it down. The artwork was printed instead of the independent.
This upset The muslim congregation, who protested and called for a boycott. The news soon reached the muslim world. Iran condemned the publication, including other dictatorships, demanded that the Swedish government would act against the newspaper and the artist, and terrorist organisations IS put a price on Lars Vilks’s head.
the Situation has quickly worsened. With fractions and talkörer stop muslim activists in 2010 a lecture by Vilks at the Uppsala university, and two clumsy arsonist hurt the most themselves and leave the jackets, keys and id cards on the spot. They have something almost touching in comparison with when the IS-terrorist: Omar El-Hussein is attacking the Lars Vilkskommitténs meeting and a synagogue in Copenhagen in the spring of 2015, and shoots, killing two people.
It is an under-reported piece of recent history, but in Orrenius book may all be heard. He refers and talks, lets the events and the people speak, also arsonists and extremists. Environment-, fragrance – and klädbeskrivningar adds without having to stand in the way. It will be dramatic, exciting and memorable.
Sometimes fill the author in with the poignant observations. Why has the media been so silent about that Lars Vilks was the target for the mark in Copenhagen? Hardly anyone pays attention to turkey’s first birthday. Why is it in Denmark, he has a stödkommitté? The book is in its low-key and versatile descriptor a keen anklagelseskrift.
The dodges, either for the terrorvurmen among salafist muslims or murderous "Sverigevänner", but is never so keen as when it comes to the Swedish public.
Smygrasister has long condemned the Swedish idealism. I can delight them with that in Orrenius book is missing it completely. This is exposed rather the räddhågsna folksjäl, completely renons of empathy and crass busy with their own sphere, which, instead of condemning his murderous enemies, to shun and hate Lars Vilks.
do not Misunderstand me: You may absolutely criticize and condemn Lars Vilks ‘ art, his intentions and his appeasement towards muslimhatare. But to require that he shall reside in his hometown, get to a restaurant or invited to cultural events for the little risk to itself and therefore runs to the islamic terrorists turn to the right then, to make the threat to be a threat, to make the victim to the perpetrator, and it is bottomless shame.
Ynkryggarna are everywhere; in the home town Höganäs, sweden, at Kulturhuset, among investigative journalists. Get in Sweden seems to put a point of honour to make life more liveable for the dödshotade. Many helps on the contrary the terrorists to execute the sentence, a fängelseliknande, isolated existence.
don’t Come and boast about Swedish values! This – kryperiet for the strong and the violent, and the självrättfärdiga the anger against the threatened avfällingen – is in truth the Swedish values. I have seen them. I have grown up with them. I hate them.
Lawyer Hans-Gunnar Axberger is in all cases well-read, but not convince with his speech if that freedom of expression should be more the exception. The elephant in the room is that the exceptions are not about hurt feelings, but about the propensity to violence and threats. It is to reassure the dictators, lynchmobbar and terrorists as Axberger want to be able to lock in the satirist and close the media, not to any sensitive soul is torn in its interior.
in Particular, ill-thought-out this proposal in the light of how the Swedish government in 2007 handled the anger against the artwork. If there had been the slightest of loopholes in the legislation, would Fredrik Reinfeldt not have been able to be both accommodating and at the same time clear that no one intends to punish the artist or the newspaper. The dialogue was wise, you should listen also to the religious who want to put the cartoonists in prison. In the talks, it emerged that Sweden is a good community for muslims, unnecessary confrontation was avoided.
But the management leaves a provincial taint. The argument "this is how we make in our country," kastrerar freedom of expression. The right to mock the gods, prophets, and other fantasifoster, is universal and applies to all people, not just the swedes and the danes.
So bombastic express, of course, not Niklas Orrenius. He allows us to instead meet the artist Mahu, 41 years old, from Iran, who fled the religious repression to freedom in Sweden. She wrestles with the question if she should paint the prophet on the cover of a religion critical book for the iranian audience. A beautiful and worthy conclusion to this melancholy tale.
Romantic outsiderposition united with the populist view of the elite in the “Shots in the … – Sveriges Radio
Niklas Orrenius works on Today’s News and have in the past given out a handful of reportageböcker with themes such as immigration, xenophobia and extremism. In the new book “the Shots in Copenhagen,” he takes back on Lars Vilks, and depicts today’s Sweden on the basis of the conflicts surrounding his artwork “the Prophet Muhammad as a roundabout dog”.
Orrenius is a reporter at Today’s News, but he broke through, if you can say so, at Sydsvenskan. And he has also published several articles on fear, tolerance, and migration.
Now, he’s taken on Lars Vilks, which he follows in his new book, and in P1 Culture tells Ulrika Stahre, art critic at Aftonbladet and Kulturradions Mårten Arndtzén “Shots in Copenhagen”.
P1 Culture
p1kultur@sverigesradio.se
Justin Bieber seems sad and indifferent – Expressen
maybe He is the world’s biggest star.
But Bieber seems most sad and indifferent at the scene.
her Husband to the loyal and loving fans are hard to find. Justin Bieber has it, but it does not seem to be particularly important. We know that he has said unpleasant things to the fans before out on the street, but you couldn’t believe that the star would take that attitude to the job at the scene.
Justin Bieber seems not to want to be at the Tele2 arena.
When you study his facial expressions on the large screens, you are confronted by someone who does not seem to bother it at the very minimum. He has empty eyes and looks sad.
Then you have to wonder, of course, why you sitting here with 40 000 other happy people. I get the feeling that find me at a surprise party for my fictional spoiled little brother and guests consists of great-aunt, and the dreary nonconformist nästkusinerna and little brother store forced to spend a night on this crew, instead of to hang out with friends.
Bieber manages to get the audience to feel completely unimportant.
He does his job carelessly and has already sung the songs in advance, which is played playback.
It means that he does not need to sing.
at All.
And he makes no secret of it either. In some cases, have the energy to Bieber’t even have to lift the microphone to his mouth to keep a live feel.
the Benefit is that he will not have to worry about problems, for the tour can, in principle, be implemented even if he had been forced to surgically remove the vocal cords.
When the 20-minute long, completely unfounded the break occurs after the "No pressure", goes the audience out of its trance but Bieber manages to build it up again when he rises in the kilt.
How indifferent it is, there are of course some exceptions. Bieber is a good dancer, and the number in the "Where are ü now" is powerful.
finely tuned, it is also when he is sitting alone with an acoustic guitar and sings "Cold water" with feeling.
Megahitsen "What do you mean" and "Sorry" can, in principle, not fail and it is when the latter is played as you wish Bieber had given the same energy throughout the evening. When he is completely wonderful.
But I feel sorry for those who have paid expensive money for a magical evening and I hope for a higher power level before concert number two in Stockholm.
Romantic outsiderposition united with the populist view of the elite in the “Shots in the … – Sveriges Radio
Niklas Orrenius works on Today’s News and have in the past given out a handful of reportageböcker with themes such as immigration, xenophobia and extremism. In the new book “the Shots in Copenhagen,” he takes back on Lars Vilks, and depicts today’s Sweden on the basis of the conflicts surrounding his artwork “the Prophet Muhammad as a roundabout dog”.
Orrenius is a reporter at Today’s News, but he broke through, if you can say so, at Sydsvenskan. And he has also published several articles on fear, tolerance, and migration.
Now, he’s taken on Lars Vilks, which he follows in his new book, and in P1 Culture tells Ulrika Stahre, art critic at Aftonbladet and Kulturradions Mårten Arndtzén “Shots in Copenhagen”.
P1 Culture
p1kultur@sverigesradio.se
Embarrassing dad in the business world, a German filmsensation – Svenska Dagbladet
We reach Maren Ade, born in 1976, on the telephone, at home in Berlin. She is psyched and happy about the otippade success, nice confirmation for her film ideas that fall outside the usual genres. With just two movies, among other things, garnered awards at the Berlin film festival, she managed to organize a funding of 4 million euros. A receipt of her energy and egenförfattat kvalitetsmanus that she worked on in four years.
600 000 people have seen the film at home.
"My father Toni Erdmann" premiered at the Cannes film festival in may, it has been shown on the ditto in Toronto. 600 000 people have seen the film at home since late July and has been sold to 60 countries, "including the whole of Europe," she says enthusiastically. Her story about the big lufsiga the father with the 1968 proggvärderingar, which makes a överraskningsbesök of its austere daughter with ice-cold consulting career in Bucharest who have their sights on a location in Shanghai, is selected as Germany’s contribution to the Oscars award for best foreign language film in 2017.
” I wanted to tell you something about family relationships, which can be so insanely static. All have acquired or been assigned roles and stay in them as long as the relationship consists. It is very difficult to step out of them.
But that is precisely what the father, a retired music teacher, doing when he notices that he does not have contact with his daughter, and that the difference between their lives is a moat. By dressing up in tie, the costume, the wig and the excessive false teeth will be father Winfried, a gammaltyskt name with the meaning "fredsvän", the eccentric konsultcoachen Toni Erdmann. The daughter’s name, Ines, can read the be inferred that "the obefäckade" or "the consecrated" – Maren Ade does not leave much to chance when she is working. Toni Erdmann (the surname means "jordmannen") intrudes in her daughter’s life, talking with her colleagues and sabotaging the – almost – important client meetings. With its skämtlynne blot out her. The strange thing is that she stands out with it, become curious, and partially to play with in his masquerade.
” Their relationship is not honest. The father comes with his mjukisstil. It is insidious because it holds so much unspoken criticism of her daughter’s choice of career. She becomes more interested in his alter ego, Toni Erdmann, than by his old father.
the Inspiration for the figures and to generationskonflikten comes partly from the large and influential group of 68′s in the former west Germany, achtundsechziger as they are called. Partly from the own father skämtlynne. But above all, from a young German business woman, Lotte Braun, as the director sought out in Bucharest. The scenes away with client meetings, cocktailmingel with a home elite, the routines in an efficient German consulting firm and the clash with the old Eastern europe’s obsolete employment and industrial structure is taken from Braun’s life as expat, Romania.
Maren Expanded film is chockfull of comedy.
– Lotte Braun has actually written a kundpresentationen in the script, it is completely authentic.
Maren Expanded film is chockfull of comedy and ludicrous situations, but also has a philosophical undertone. Different worldviews clashing against each other, each one dictated by the generation that has gone before. The father has a clear rise of google, his own föräldrageneration that had a clear connection to the Third reich and Hitlertiden has affected the choice of lifestyle.
For her daughter, it is not as easy to distinguish between friend and foe, the world has become more complex, and the name of the father superficially politically correct attitude seems to her simple, yes, naive. For example, he asks her if she is happy, really.
And I wondered if he would have asked the same question to a son, or if he in that case would have accepted his choice of career. He is disturbed by her disciplined façade, of the hardness and she becomes, in turn, provoked on several levels. His question is too primitive. It is wrong from a feminist perspective because it implies that her job is not the real her.
The great success of "My father Toni Erdmann" means that Maren Ade himself has learned something about his price.
” the Demand is such that I would be able to provide interviews for days on end, but it may not go to extremes. I have two small children to consider. Yet, I feel that it is now the case. It is important for me to do more pr.
Therefore, she goes right in this moment to New York to present their drama in komediförklädnad for the US media.
Here, partying Justin Bieber in Stockholm – Expressen
the Last time Justin Bieber was in Sweden, he dived himself up on his colleague DJ Tay James party at the exclusive nightclub, Rose.
Now do the friend the same thing again and it becomes the party where both Thursday and Friday.
at the same time, is the secrecy on where the world cup will stay whole.
Now, pull it together. Justin Bieber arrives to Sweden for two big appearances on the Tele 2 arena 29 and 30 september.
the Hysteria is likely to be in the closest total to the front of the stage and at the hotels which are relevant for the superstar to stay in the brace for the chaos outside the entrance.
When Justin Bieber 2013, stayed at the Grand Hotel in Stockholm tried rows of fans to enter to get a glimpse of their idol. The secrecy about where the world cup will be staying this time, however, is large.
READ MORE: Bieber to the Norwegian fans: “You suck”
He is playing in Helsinki in the evening of 27 september and is expected to arrive shortly.
the Last time Justin Bieber was in the country to organise his colleague DJ Tay James party at the exclusive nightclub, the Rose in the centre of Stockholm.
So, even now.
Both Thursday and Friday this week there will be a party after the shows.
the Last time it went came Justin Bieber there for yourself to unleash in Stockholmsnatten. He danced before the astounded visitors and also took the opportunity to take their own pictures of the guests. In the world cup, hesitated not to throw the clothes and posed happily with the bare-chested. Just like his colleague, DJ Tay James.
At half past three on the night went to Justin Bieber and his team, where a number of bodyguards included, up to the to the public closed to the upstairs.
The time hold the party on until just after four in the morning, when the artist left the Rose in a large black car.
Rose owner Robert Hållstrand has not gone to reach for a comment.
Remains to see if it even once becomes long festnatt in Sweden for Justin Bieber.
Liffner strösslar ingeniously with the references – Göteborgs-Posten
Culture Eva-Marie Liffner recalls, with his new novel, Blown! if the stretch resistance. Ingrid Bosseldal have read and been fascinated.
2012 Eva-Marie Liffner the GP prize for literature "for a storytelling with ingenious fiction and historical empathy captures the man’s enigmatic transformations". Had the reasoning does not already been for – mulerad, could I use it to tell us about her new novel, Blown! Now I have to instead re-use it.
Nothing strange with it. The kind of literary recycling, and movements in time and space, hear Liffners authorship. Similarly, the movements between killing and living; gravöppningar, återupplivningar, versifications.
Her new novel, Blown! will not make the faithful readers disappointed. On the contrary. On the other hand, possibly, a little disoriented. Right it is not easy always to follow Liffners complex intrigue. This time, even more than in the past, also raises the urge to decipher. Who is who? What is the what? So it is also, in addition to excerpts from the bible, folk tales, folk songs, and ancient myths, some of the 1800 – and 1900-century’s great writers who are brought together in the plot: the sisters Brontë, JRR Tolkien, and the torsdagsklubb not contained only Tolkien but also, among others, C S Lewis. The references are many and at times steep.
get characters straight out of the fiction and takes place in the plot, sometimes apostroferas by, for example, to give names to streets or properties. This is, for example, – with a not-so-small nod to Emily Brontës classic foundling Heathcliff – Heath Street and Cliff Mansion. Here are, with as clear winks to Tolkien’s tale, "lady Elf" in his "Gondolfska house" rent out a floor to the "Johnnie T". In one scene, the encounter also, the novel’s narrator, the mechanic Down the Shaw, on the two strange monsters. One of them is called Strength. And even the title is a literary play. "Playin’!" is the name given to the first Swedish translation of Wuthering heights (Dizzying heights).
the Novel is divided into two parts. In the first glow, bolts and sorgesjunger it, while JRR Tolkien’s ("Johnnie Ts") good friend, the mechanic Down the Shaw, ” says and, in fact, moves between his own early 1900s, and the brothers and sisters Brontës 1800s. Initially, he is a carefree young man, full of mechanical wonders and roman history. After a few years in the belgian mud during the first world war change, he becomes a significantly more complex and to apathy character. Maybe he loses also his friend Johnnie T to the war. Or not.
novel’s part becomes the design more clearly. Here korsklipper Liffner between 2000-speeches, 1960-speech and the Brontës later 1800s. Of the children, there is only Charlotte left. And in our present deciphers the middle-aged friends Mags and George archaeological field reports and mysterious loose-leaf at the same time as Charlotte Brontë looking for a lost (stolen) scripts.
Who lives and who dies are not all obvious. Instead reminds Liffner if the resistance is in the imagination. And the eternal life.
One taken to hospital after the assault on the concert – Aftonbladet
A security guard was attacked during a concert at Debaser Medis in Stockholm last night.
In connection with a man would be rejected from the scene when the rappers Ghostface Killah and Killah Priest appeared so cut the guard in the face.
– He’s got a large laceration approximately from the temple to the jaw. It was a bloodbath on the stage.
On Wednesday night, they played american rappers Ghostface Killah – who is one of the founding members of the Wu-Tang Clan and Killah Priest at Debaser Medis at Medborgarplatsen in Stockholm.
A piece in the concert was a guard on the stage.
They took up a lot of the girls on the stage who would dance with them. At the same time, it came up a guy who hurt a guard in the face. The guard had a large laceration approximately from the temple to the jaw. It was a bloodbath on the stage. The guard took a towel for the face and ran off the stage, ” says a concert-goers to Aftonbladet.
Nedbrottad of the guards
the Witness said that a member of the rappers ‘ entourage threw down the offender from the scene and that he then disappeared.
They drove clear the song before they stopped the concert and referred people to the tröjförsäljningen outside the venue. Where there was this guy nedbrottad of the guards. As we stood there came also the police there. It took probably ten minutes from that the guard was cut on the scene, we saw the guy lying nedbrottad.
Maria Eklund, stationsbefäl on Södermalmspolisen, states that it was in connection with that the man would be rejected from the scene as he went to attack against the guard.
– Ordningsvakten have received a skärskada in the face. We do not yet know which weapon used. We have not found anything on the site, ” she says.
arrested
the Alarm about the incident came in at 23.26. Early on Thursday morning came the news that the suspect has been arrested.
– the classification of the offence is aggravated assault. He has been questioned, but I have no information on what he has said, ” says Maria Eklund.
Ordningsvakten was taken by ambulance to the hospital. According to Pontus Sandulf on the Part länskommunikationscentral he is seriously but not fatally damaged.
” You say that there has been a lot of blood. But it is hard to say because I have not seen it myself, ” says Sandulf.
"This is a mess"
Konsertvittnet says that many in the audience were shocked by the beating on the stage.
Everyone saw it. First it felt almost like it was a part of the show, but it was not. The band commented on the blood on the scene and said, "this is a mess".
In an email to Aftonbladet writes Ghostface Killahs manager that he did not want to comment on the incident.
Wednesday, September 28, 2016
Tvillingbönderna may not be with – got to get the letter – Aftonbladet
Kärleksjakten was an inglorious end for Erik and Oscar Dieden, 38.
Now takes Linda Lindorff blame for tvillingböndernas unexpectedly poor brevskörd in tonight’s "Farmer seeks wife".
” I have really been thinking about this, for it has done evil in me. I managed to not in the way I wanted to succeed, she says.
There will be no tv-fall for tvillingbönderna.
Erik and Oscar Dieden from Katrineholm got to get the letters to get the search love in the new season of "Farmer seeks wife". When the host of the show Linda Lindorff came to hand over the brevskörden in Wednesday’s episode, she expressed her surprise over the lack of interest.
the Twins were not even ten letters were, which made it impossible for them to continue in the program.
There were not that many, strangely enough. I had thought it would be a great many more, ” says Linda Lindorff in the section.
"Perhaps were brought together for the very"
The lack of interest was a disappointment for Erik, and Oscar.
– It is clear, a little disappointing, it was actually. It had a small hope to get a few more. But you see the positive in the future in any case…it can be the letter later, ” says Erik.
Have you discussed what the small number of letters can depend on?
” Yes, it is clear that you are thinking about it. I think maybe we are two people who are quite tight so maybe it is difficult to differentiate between us. Who is who, ” says Oscar.
” We are still two individuals with separate personalities. Maybe we were brought together a bit too much. The presentation might have been a little more separated and shown our different pages a little bit more, ” says Erik.
"Got a little bit sad,"
In retrospect, Linda Lindorff questioned how tvillingbönderna was produced in presentationsprogrammet in the spring.
” I might have even thought that it is our fault, that we did wrong when we highlighted them in the same portrait, that we should have divided them up and made a portrait was. And explained even more clearly that they live in a house on this farm and how different they are, ” she says.
Lindorff is disappointed brevskörden.
” I think it is surprising that they received so few letters, and I’ve been thinking quite a lot about this. I was a little sad for it, too, because I think they deserve a great many more, ” she says.
Erik and Oscar Dieden continue to document their kärleksjakt themselves on tv4.see.
Lindorff’s sextips to TV4-the farmers – the Express newspaper
It will heat up quickly in this year’s season of “Farmer seeks wife”.
Linda Lindorff is positive to sex on the first date.
“I think it can be good,” writes the host of the show.
In the evening at 20.00 is the säsongspremiär for the “Farmer seeks wife” in TV4. Already two days ago revealed Linda Lindorff that it has never been so much sex in the program as it gets this season.
On his blog, ” Linda Lindorff more:
“Yes it is a sexy season, but fear not, we have not-sensitive night cameras and, as usual, is sex really not something that we focus on in this program. But love and sex are often associated and when there are consequences so we’re talking, of course about it,” writes the host of the show and continues:
“I’m not afraid to talk about sex, but I will keep it at a level so that no one should have to be too embarrassed. I do not think that there is something wrong that it will close to each other physically when they have feelings for each other, on the contrary, I believe it. I think sex on the first date can be good.”
READ MORE: Linda Lindorff about the sex of the Farmer looking for wife in 2016
someone Will be on the first date?
” Haha, what do you think? Yes, this with one night stands and passion for a night versus the eternal love will be discussed early in the program, ” says Linda Lindorff when Expressen reaches her.
Linda Lindorff also talks about how she likes sex on the first date.
” I think that it can be completely okay, but I can also feel that there may be advantages to wait depending on who you are as a person and what you want out of the relationship. For example, we have a farmer in the years that think that they are happy can wait with sex until after you married, and there are also others who think that the good and well have sex on the first date, “she says, and continues:
” I’m not saying that either one or the other is more right, it must be so that you trust that people are mature enough to be able to take this type of decision. Then I think what on the whole is about what you believe in for approach when it comes to catching the big love. Of course, we are very, very different.
READ MORE: Here are the peasants in this year’s Farmer looking for wife
She develops this line of reasoning:
– Love is a bit like a game. Some guys and girls need to go slowly. Are you on the first date, it will not be eternal love, then you have almost destroyed it. If you are on, it will not keep. The option is the classic that no one should hear of three days. This is not only a claptrap to some extent they work still. Love is more so. There is chemistry but is also about the allure.
You are not afraid to talk about sex, why do you think that many people think that it is an uncomfortable topic of conversation?
– If you are pretty confident in himself does not need to be particularly embarrassing to talk about this type of stuff. But then it is a matter of all need to know it. In the “Farmer seeks wife”, we focus on love, not sex. But what often happens is that love and sex belong together. It may begin with sex, and so it will be love or so it begins with love and then sex.
That the issue needs to be discussed in the program think Linda Lindorff is not strange.
– However, you need perhaps not go into the details, and especially not in a family program as a “Farmer seeking wife”. No one should have to feel embarrassed to see the program that you talk about sex too rough. So it will not be.
Therefore, it gives Måns up his tv career – Expressen
Måns Zelmerlöw is up to date with the single “Hanging on to nothing”.
Now provide the star up programledarkarriären – instead, he bet everything on the music.
– the Whole of the next year, the plot is to just bet on the rest of the world, ” he says.
It has been a busy summer and autumn for Måns Zelmerlöw, 30.
In June filled the the star 30, and celebrated in 13 hours with a large party for 200 people in a villa in Lidingö.
Måns Zelmerlöw: “It was very wild”
On the site were, among others, Carola Häggkvist – who bathed in the pool with clothes on.
Lena Ph and party fixer Johan Petré was in place.
“It was very wild,” says Måns Zelmerlöw.
The latest, he has travelled around Europe in order to establish himself as an artist.
” It feels like it’s been so crazy a lot of traveling the last two years. It is very promo and gigs across Europe, ” says Måns Zelmerlöw.
READ MORE: MÅNS APPRECIATE TO BE YOURSELF
Now is Måns up to date with the single “Hanging on to nothing”.
” I think it’s among the best I’ve released. It is that one is in a relationship and know that it is destructive, that it doesn’t work to be together, but still be pulled back all the time. It is självupplevt so clearly, ” he says.
And:
I have realized that I should just drop the songs that actually has any connection to myself.
Melodifestivalvinnaren have found new routines
to relax in between sightseeing, he has found new routines. One of them involve nocturnal walks in the forests around Stockholm, along with the dog Messi.
” I have always had the world’s worst circadian rhythm, is awake to 4-5. I have the flashlight and go. I think it is that I always have people around me. Just getting to go there with his dog and it’s completely silent, ” says Måns Zelmerlöw.
READ MORE: MÅNS ZELMERLÖW AND PETRA MEDE PRAISED
the Next year, Måns bet on the music and to establish himself as an international artist.
– the Whole of the next year, the plot is to just bet on the rest of the world. And to get a life and more time for reflection, ” he says.
Is programlederiet simply put on the shelf?
” Yes, it is well. It would be something extra ordinary program. At some point in my life I will surely be a presenter again but now get the rest. I think it is important for me to bet on one thing now.
Right turns – new ‘Frimans’ at the time – financial times
After three seasons, the series have been over.
But there came a turnabout – is now aiming the creators behind the Swedish "Fröken Frimans war" with a fourth season.
“We thought that it would be the end of it,” says SVT-producer Maria Nordenberg
There is more to tell about class and kvinnokampen in the early 1900s.
Viewers are waiting to see the third season of "Fröken Frimans krig" which has not yet been broadcast in SVT. The idea was that it would round off the story.
Now Nöjesbladet reveal that a turnaround has taken place. It worked on a fourth season – which, however, has not yet been given the green light by SVT.
– the Screenwriter Pernilla Oljelund writing for full. We hope on recording next year, and then with the sending christmas 2017. It is our ambition and hope. We have many stories left to tell, really, ” says Maria Nordenberg, producer at SVT.
” We thought it was over after three seasons and was not going to anymore. "Fröken Frimans krig" has been almost too successful and halted other projects. But everyone wants to continue. The actors love the "Friman" and their characters. The same applies to the team, continue Nordenberg. SEE ALSO PLUS 20 tv shows you must see 2016
Screenwriter Pernilla Oljelund explains that the script unfolds in 1908. Thus, the year before the great strike, which was the culmination of years of conflict between employers and workers.
– It is supposed to be about women’s relationship to the labor movement. In this, there are also private stories. I’m simply not finished yet. It would be amazing with the four seasons. I feel a huge commitment from everyone in the gang, ” says Oljelund.
the First round was shown the christmas and new year holidays 2013-2014. Over 1.5 million saw the each section.
” I think one reason for the success is that the series is different from any other tv drama. All the other revolves around greed, selfishness and violence, this is about solidarity and idealism, ” said Sissela Kyle in an interview with Nöjesbladet 2015.
Sissela Kyle plays Dagmar Friman (based on the real Anna Whitlock), who in 1905 started a livsmedelskooperativ, Swedish Home in Stockholm together with some other women, played by Frida Hallgren, Maria Hill, Sofia Ledarp and Lena T Hansson.
The third season of "Fröken Frimans krig" broadcast christmas 2016. Season number four waiting for the green light from the SVT.
SEE ALSO "Wish I was more like Dagmar Friman"
Tuesday, September 27, 2016
Zara Larsson can win two MTV-prices – Expressen
I want to Expressen should be the magazine which is most generous with the rebuttal, corrections, and how we report any censure from the Press Council.
the Swedish newspaper Expressen’s ambition is clear. In our “Quality policy” switch, I wired it as published to be accurate. My first decision as editor-in-chief was to establish a fixed place in the magazine and on the site for corrections. But we are humans. Who make mistakes, get ripped off or rushed to carelessness. There are a few explanations to the errors in the media, but the excuse still not to the editorial staff of one exposure for publicitetsskada.
the Express newspaper is behind the “Ethical rules for press, radio and tv” formulated by the publicist club, the Swedish union of journalists, newspaper publishers, the Swedish Magazines, Swedish Radio, Swedish Television and Swedish educational Broadcasting company.
“the Rules are more of guidelines than a formal set of rules,” notes the Public press ombudsman (PO). What is good media ethics must be determined from case to case, and there is no exact answer. But it is good that the matter is discussed.
Expressen speak often and feel free to be clear, we inspect and we disclose; it is journalism that is not everyone will appreciate what we are telling them. If you believe you are a victim of a publicitetsskada is the fastest way to get redress, please contact us: e-mail to rattelse@expressen.se or call our nyhetsdesk on telephone: 08-738 30 00. But it is also possible to make a so-called PO-notification to get a pressetisk trial.
It is the night. The author and the one who writes the Swedish newspaper svenska Dagbladet
- Author
- Karolina Ramqvist
- Genre
- Nonfiction
- Publisher
- Collins
- ISBN
- 9789113074887
84 p.
Det is a small, – thin and discrete book. Light gray cover, white book pages, simple and orderly typography in black. Neat, is the word that comes to me. Karolina Ramqvists personal essay, "It is night" is – neat. I’m not so sure that is the intention, but also the content is the same breathing children; well cared-for, properly, properly. There is anguish and passions here, but they are so strictly formulated – lent to the one closest to the ascetic ideal form – that they will to the reader on the factual distance.
"It is night" therefore rests on a paradox. It is, simply put, if the desire to be a writer, and that after you become the discover that it was also something completely different than what you expected. The starting point are the difficulties Ramqvist has to write a speech that she’ll keep on various public places in connection with the publication of his latest novel, "The white city" (2015). An author writes a completely perfect little text about how impossible it is to write a text – yes, there is a discord here.
not that I doubt Ramqvists sincerity of their qualifiers, but this behärskningens essay makes the reaction on the equally sober-minded: Oh, it is hard here to write and be a writer. Okay, then I know it. With threads to Virginia Woolf, Marguerite Duras, and Bodil Malmsten joins Karolina Ramqvist to a tradition of women who write about to be writing women. To choose the writing. Despite the fact that the world, both in the form of public expectations and actual people, want to tell you that it is a different, better role for a woman than to be in his own creation.
In the passages relating to this will be Ramqvist a little more vibrant, to eventually work themselves up to the simple truth that you sought complicated explanations: "I am writing to write. I dare perhaps not say it before I became a writer."
Most of all, however, "It is night" if klyvnaden, the dichotomy, which occurs when the author discovers that she is the author; that the author of the where the books are expected to coincide with a real human being to represent both itself and the literature out there in the world. What has the text with the author to get? And, further, what has the author with the self to do? Ramqvist, turn on these issues pregnant and solid, but the concentration will be in the end of clinical. Even when she writes about how the apartment is messy with children’s clothes, books, and yesterday’s leftovers, I see it in front of me as clean and tidy.
Not until towards the end of the 84 pages long essay, she starts to interest me, and do it seriously, first, in the very last paragraph. There, type Ramqvist like this about the author: "When the book is born, wiped her. It is also a dream, to be swept away." This picks Ramqvist up the longing for the absolute emptiness and erasure as Karin in "The white city" also houses, and that is fascinating. Now finally something happens here, I want to know more, and so is the book-end!
Inglorious, but at least consistently mediocre.